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Jingle Boom (Presented by SPARKBOOM): An Interview with Cloud Caverns
The stories of Brandon Peterson and Dan Bouza emerge from East Islip, NY roots. Their history dates back 10 years when they lived less than 10 minutes away and attended high school together and their paths have continued to converged ever since. But it wasn’t until two and a half years ago (when Brandon approached Dan with a song he felt needed to be heard), that music became an entirely new operation for the pair. What began as two friends embarking upon a single-song recording experiment in a backyard-shed-turned-recording-studio, became a brotherhood. Cloud Caverns was born and “Unto Ourselves” became the earliest recording for the Blind Willow EP.
The Cloud Caverns name unites the extremes; that which lies both above us and within our depths. When Dan isn’t devoting his time to Cloud Caverns, he works as an engineer at VuDu Studios in Port Jefferson, and is involved in several other projects. Brandon has been dividing his time between his wife (they married just last week), the band, Hotel of the Laughing Tree, of which he is also a member, and moving to Tennessee.
Check out my recent interview with band members Dan Bouza and Brandon Peterson, to gain some insight into what makes this duo tick. You can also get to know Cloud Caverns by downloading their very own “Christmas Yet to Come,” (released, hot off the virtual press, exclusively for SPARKBOOM’s Jingle Boom: Holiday Bash), and joining us on Saturday, December 20th in the Huntington Arts Council’s Main Street Gallery, for this FREE event. As you listen to Cloud Caverns at this holiday event, with the gallery bedecked in festive decorations and original art, you’ll appreciate the season and the music in a new way. Oh, and of course, don’t forget to wear your best ugly sweater, so you can Jingle Boom, all the way.
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Lauren Jahoda: What are each of your roles in Cloud Caverns?
Dan Bouza: With Cloud Caverns it’s kind of hard to define roles, because Brandon and I–since it’s such a studio-based project– the two of us kind of do everything. So sometimes I’m playing bass guitar and keyboards, and sometimes Brandon’s playing bass guitar and keyboards. He does most of the singing and he writes the lion’s share of the stuff, and then I just come in and add a bunch of bells and whistles and production to it. And that’s how it gets made.
When you say it’s a studio project, are you referring to the band itself?
DB: Yeah, at least it started out that way. We weren’t playing a lot of shows and it was just me and Brandon in an old shed that I converted into a studio, writing songs and recording them.
Where is this shed?
DB: It’s in my Dad’s backyard, in East Islip. We have since graduated from the shed (laughs).
(laughs) What is the shed being used for now?
DB: It’s sitting empty and has all my books in it now (laughs).
What did you study in college? Was Cloud Caverns a part of the plan or was something else?
How long have the two of you been “Cloud Caverns”?
DB: I think it’s about two and a half years now. Brandon came to me with one song. It was the last song on the EP, “Unto Ourselves,” and we recorded that and he came back with 4 or 5 other songs, and that’s when I knew we were going to keep doing this and it would turn into something.
What affect, if any, did growing up on Long Island have on your music?
Brandon Peterson: Although I don’t think Long Island has had a huge effect on us musically, lyrically I think it’s definitely part of our core. We both grew up here and it’s always been home to us. So all the memories and stories we’ve cultivated growing up here, make their way into our songs somehow.
Why did you choose “Gypsy Loft” as the title track for the album?
Dan Bouza: I had just moved into a house that was previously occupied by a family of real life Gypsies. When I moved in, the place was a wreck. A group of friends, Brandon included, helped fix and scrub every inch of the place over a period of about two weeks. My bedroom was in the loft, which is where the majority of the album was recorded, so it seemed fitting.
Album Art: AJ Estrada
What are your plans, if any, for your next album?
Dan Bouza: We have about 20 songs lined up for the next album. We’ve been in pre-production/writing mode basically, since we finished Gypsy Loft, and we’re getting ready to start actually recording it next month. We’re pretty excited to get back into the swing of things.
How did your connection with SPARKBOOM come about?
Dan Bouza: A friend of ours had mentioned to Raj [Tawney] and Michelle [Carollo] to check us out when the album first came out. They reached out to us to play the after party at their screening of Mistaken for Strangers. We had a blast and realized that they’re really doing something special for Long Island.
Did you create “Christmas Yet to Come” specifically for Jingle Boom? If so, how did you come up with it?
Dan Bouza: We did. Brandon showed up with a demo one day after Raj had asked us about playing a Christmas song. Brandon wrote 95% of it, so it’s probably best if he answers how he came up with it.
Brandon Peterson: I wanted to write a Christmas song that transported me back to the 90s. I remember as a kid, the week of Christmas was the absolute best week ever. We’d be with our loved ones every night, go driving around to look at lights and decorations on other houses, see distant family members, etc, etc. I tried to channel all these manifestations into one song. It is also inspired by Dickens’ A Christmas Carol, hence the title of the song. It has to do with hanging on to old holiday memories, whilst harvesting new ones.
Listen here…
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“CHRISTMAS YET TO COME”
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And join us here…
SATURDAY, DECEMBER 20th
6 PM – 10 PM
Huntington Arts Council, Inc.
213 Main Street
Huntington, NY 11743
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LIVE PERFORMANCES:
Cloud Caverns, NonStop To Cairo and Robert Sloan
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SPOKEN WORD/POETRY:
Steven T. Licardi, Bri Onishea, James Kim, Frankie A Soto, and Meredith Nussbaum
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WINDOW ART:
Caitlyn Shea and REME 821
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Craft Beer courtesy of Saint James Brewery, delicious treats courtesy of Stella Blue Bistro, and yummy water by Hint Water, prize giveaways courtesy of Sip Tea Lounge and more!
THIS IS A FREE EVENT ($5 SUGGESTED DONATION)
Questions by: Lauren Jahoda & Andrew Kase
CMJ Music Maration 2014: Bombay Bicycle Club at Terminal 5
By Andrew Kase
As the lights came on, shadows of the members of Bombay Bicycle Club appeared in the background. The show commenced as the music started on this rainy Wednesday night in New York City at one of the larger of CMJ’s list of venues — Terminal 5. As I listened to the crowd roar as band members rose up to the stage, it was obvious I was to become witness to an experience and event far greater than your average concert.
The assorted crowd instantly sang along to hits like “Shuffle,” “Lights Out, Words Gone,” and “Your Eyes.” With each song, the crowd was cheering more and more powerfully, as their fellow attendees jigged and danced along to the indie/alternative rock group’s eclectic tracks. This three-story venue housed the band’s massive screen backdrop, full of bewildering images of skeletons and album art, and released an exciting tangle of indie, folk, blues, and even a bit of electronic sounds throughout this radiant performance. Crowd-member and New York native, Roozbeh Ghanadi commented “My first impression was that they are an amazing band and they’re very lively!” The band played an extensive set list of songs, which included “How can You Swallow So Much Sleep,” “Feel,” and even several throwback songs. Lead singer, Jack Steadman, prefaced “Always Like This,” reminding us that they were going way back — a fitting introduction to a track from their 2009 album, I Had The Blues But I Shook Them Loose. Their varied set list pleased every kind of listener — from the long-time fan to the BBC newbie. “It’s been a good show. We both have listened to them before and I know some of their songs already, and heard a few new ones tonight,” said David Turner, another New York resident.
BBC approached the end of their night with a terrific digression, as member, Suren de Saram, sang a soulful, crowd-engaging cover of Robyn’s “With Every Heartbeat,” soon followed by a close to their much anticipated CMJ performance set. After a thunderous round of applause, which was certainly appropriate for the night, the group returned to the stage for an encore, and closed out their performance with their huge hit “Carry Me.” “I thoroughly enjoyed it,” said Haifa Barabri — Barabri was born and raised in London, and moved to New York. Barabri continued, “They really engaged the audience and I feel like I had a little dose of London in New York City.”
HEARTSTRINGS MAGAZINE 